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I really enjoyed the use of the tv playing amidst the final chase. The entirety of the third act was good, the false scare with the pool cleaner helped show the tangible nature of the tension at the time. There was a definite 'man is an animal' motif, that at times was a bit too blatant, but still fitting, and powerful. I thought the dream sequence was really good, and the binoculars transition fit in well too. Some scenes that I felt embodied this imparticular were the rape scene and the tarantula pee scene. These things being, more or less wealthy being exempt from laws and not blowing the whistle on others of wealth. Even with this being an engaging thriller, I felt it still had something to say.
It felt like an additional factor to accentuate the disparity in wealth and morals between the lead girl and the cast of men. This is because the way that the drugs were introduced felt truly natural. The reincorporation that this film used caught me off guard. Despite this, the scene where the ant is being rained on by blood, and the scene where they are following the blood trails were very well done and helped spice up the shot composition. This film does require one to suspend their disbelief, as it is hardly plausible that the girl would neither die on impact nor from blood loss. Cinematography, Choreography, Accompanying score, but the delivery by the non-native English speakers was really stilted and awkward. With that out of the way, this film was a treat to watch. Cinematography, Choreography, Accompanying score, but the delivery by the non-native English speakers was This film could very well be titled "Following blood trails, the Movie" since that is what makes up a majority of its runtime. This film could very well be titled "Following blood trails, the Movie" since that is what makes up a majority of its runtime. Fora que aqui não há militância, e tudo que a diretora quer mostrar está em tela, o que aumenta ainda mais minha admiração pela mesma. Uma trama extremamente básica simplesmente reimaginada. O foco na reação dos personagens, a violência retratada, o jogo de edição feito em algumas cenas. Porém, o que realmente chama atenção aqui é a direção da Cineasta Coralie Fargeat. O elenco está muito bem escalado, com todos os atores dando boas interpretações. A fotografia é bela, passando muito bem o ponto de vista do personagem ou a própria imensidade do deserto - algumas vezes, sua beleza. A violência é gráfica é insana, onde há momentos que te deixam enojado, quase que sentindo a dor do personagem. Os momentos de tensão são únicos, com surpresas que te deixam sem ar. Revenge (2017) tinha tudo pra ser mais do mesmo, mas a direção, junto ao elenco, fazem do filme muito único.